OCT 31 - NOV 19




SCRIPT IN HAND


 

Dear Friends, 

Welcome to the final production of our 2017 season, Shakespeare’s Romeo and Juliet. It’s a play that changed my life. 

Decades ago, as a young actor in the company of the Guthrie Theater, I was promised the role of Romeo in a production to be directed by the company’s brilliant artistic director, Michael Langham. But ultimately the play was dropped from the repertory and replaced by Shakespeare’s dark comedy Measure for Measure. My heartbreak was leavened by being cast in the scene-stealing role of Lucio, however, and life—as it must for us theater artists—went on. 

Not many years later, at the newly- forming Shakespeare festival in Visalia, California, Michael asked me to play Mercutio in Romeo and to helm what would have been my first Shakespeare play as director, The Taming of the Shrew. At the last minute, for personal reasons, Michael had to withdraw, and he suggested to the festival’s founders that I should replace him. Suddenly I was conceiving both productions with designers, casting a large repertory acting company for both Romeo and Shrew, and assuming the mantle of Artistic Director of the lavishly produced new California Shakespearean Festival.

I found it easy to channel my love for the character of Romeo into the whole play, and, in repertory with Shrew, I reveled in finding my feet as a director. It wasn’t easy, but it was exhilarating and humbling and, due to the magnificence of Shakespeare’s vision and language, soul- stirring. Directing, unlike acting, enabled me to draw on many other parts of myself, some I didn’t even know I possessed. Both productions were successful, yet Romeo became a kind of joyous Parnassus for me, a pinnacle of powerful beauty that I’ve had the enormous good fortune of revisiting as I’ve matured. 

Scholar Harold Bloom calls Romeo and Juliet “the largest and most persuasive celebration of romantic love in Western literature,” its permanent popularity, “of mythic intensity.” For me, its power stems from the ability of its protagonists to move from infatuation to passion to the deep wisdom that only great love brings. Real love is, as Juliet says, “as boundless as the sea.” It endlessly expands our ability to give ourselves to another. We cannot love the way Juliet and Romeo love. That’s what gives the play such enduring power. It speaks for us in a language of love that transcends our capabilities, even as it provides a language for what we truly feel. 

Mark Lamos

Artistic Director

 












Click here to learn more about the renaissance history of "Romeo and Juliet"

 

 


PRODUCTION SPONSORS
Czekaj Artistic Productions
Barbara and John Samuelson
Barbara and John Streicker


PRODUCTION PARTNERS
Carol and Peter Seldin
   CORPORATE PRODUCTION SPONSORS
   
  
  
  CORPORATE PRODUCTION PARTNERS









EDUCATION SPONSOR
The Graham Foundation of Connecticut, Inc.

EDUCATION INITIATIVE MADE POSSIBLE WITH SUPPORT FROM
The David & Geri Epstein Private Foundation
and the National Endowment for the Arts