Clea Alsip
Amy Fisher
Clea recently starred opposite Kathleen Turner in Long Wharf Theatre’s production of
The Killing of Sister George. Other credits include Lewis Black's
One Slight Hitch (George Street Playhouse, Williamstown Theatre Festival);
Brace Yourself (Berkshire Theatre Festival);
Six Degrees of Separation (Williamstown Theatre Festival);
The Motherf****r with the Hat (TheaterWorks Hartford); L(y)re (Ars Nova);
boom!, Orpheus Descending, and the world premiere of Tony Kushner’s
Henry Box Brown (NYU Grad Acting). Film/TV:
Hunter & Game, The Little Tin Man, Crystal Sessions, “Bumbloods,” “Boardwalk Empire.” BA from Stanford University, MFA from NYU’s Graduate Acting Program.
www.cleaalsip.com
Mia Barron
Clara Hyland
Westport Country Playhouse:
Heaven Can Wait, The School for Husbands. Broadway:
The Coast of Utopia, QED. Off-Broadway:
Knickerbocker (The Public Theater);
Spirit Control (Manhattan Theatre Club);
The Pain and the Itch, She Stoops to Comedy, World Over (Playwrights Horizons);
What Once We Felt (Lincoln Center). Co-wrote, performed in
Big Times (WET, Leigh Silverman director). Other work with Nicholas Martin includes
House of Blue Leaves (Mark Taper Forum),
She Stoops to Conquer (Williamstown Theatre Festival),
Love’s Labour’s Lost (Huntington Theatre Company). Regional: Humana Festival, Geffen Playhouse, The Old Globe, NY Stage and Film, The Acting Company, Berkshire Theatre Festival, Long Wharf Theatre, Guthrie Theater, among others. Film/TV:
27 Dresses, Righteous Kill, ReMemory, “Newsroom,” “Grey’s Anatomy,” “Medium,” “The Sarah Silverman Program,” “Num3rs,” “Law & Order,” Voice of Molotov on “The Venture Brothers.” MFA from NYU.
Nat DeWolf
Mr. Gill
New York:
Take Me Out (Broadway, Public Theater),
Betty’s Summer Vacation (Playwrights Horizons). Regional credits include
Betty’s Summer Vacation, Burn This, Two Men of Florence (Huntington Theatre);
The Taming of the Shrew (Commonwealth Shakespeare);
Animals Out of Paper (Boise Contemporary Theater);
The Comedy of Errors (Pittsburgh Public Theater);
Take Me Out (Repertory Theatre of St. Louis, TheaterWorks Hartford);
The Violet Hour (Barrington Stage Company);
The Accident, Tartuffe (American Repertory Theater). He co-wrote and co-starred with Laura Kirk in the film
Lisa Picard Is Famous, which made its world premiere at the 2000 Cannes Film Festival. Other film and television credits include
Heights, Trick, We Are What We Are, “Pan Am”, “Law & Order: SVU,” “Ed.” Graduate of The Boston Conservatory and the A.R.T. Institute for Advanced Theatre Training at Harvard University.
www.natdewolf.com
Robert Eli
Frank Hyland
Broadway:
Tartuffe. Off-Broadway:
Saturn Returns (Lincoln Center, directed by Nicky Martin),
The Pretty Trap (Theatre Row),
The Drunk (CENTERSTAGE), and
John Gabriel Borkman (Century Center). Regional:
Bell, Book and Candle (Long Wharf Theatre/Hartford Stage);
The 39 Steps, Macbeth (Hartford Stage);
A Few Good Men (Alley Theatre);
Moving Picture, Caligula, Polaroid Stories (Williamstown Theatre Festival);
The Cherry Orchard, Twelfth Night (Chautauqua);
Cat on a Hot Tin Roof (Flat Rock Playhouse);
All My Sons (Delaware Theatre Company);
Who’s Afraid of Virginia Woolf? (English Theatre of Frankfurt, Germany). Training: The Juilliard School, Group 37.
Roberteli.com
Jayne Houdyshell
Mrs. Fisher
Broadway:
Dead Accounts; Follies (2012 Tony nomination);
The Importance of Being Earnest; Bye Bye Birdie; Wicked; Well (2006 Tony nomination, Theatre World Award). Off- Broadway:
Harrison Texas (Primary Stages);
Coraline (Manhattan Class Company, Drama Desk nomination);
The New Century (Lincoln Center, Outer Critics Circle nomination);
The Receptionist (Manhattan Theatre Club, Lucille Lortel nomination);
The Pain and the Itch (Playwrights Horizons);
Well (Public Theater, 2004 Obie Award);
Much Ado About Nothing (New York Shakespeare Festival). Regional Theater:
The Pain and The Itch (Steppenwolf Theatre, Jefferson Award),
The Clean House (Wilma Theater, Barrymore Award), Yale Repertory Theatre, McCarter Theatre, Actors Theatre of Louisville. Film:
Morning Glory, The Bounty Hunter, Everybody’s Fine, Garden State, Changing Lanes, Trust the Man. Television: “Unorthodox,” "Conviction,” "Law & Order,” "Third Watch.”
Adam LeFevre
Mr. Fisher
Broadway:
Devil's Disciple; Our Country's Good; Summer and Smoke; Footloose; Mamma Mia; Guys and Dolls; Priscilla, Queen of the Desert. Off-Broadway: includes
Doctor's Dilemma, Cyrano, The Marriage of Bette and Boo (Roundabout Theatre Company);
Henry V (Public Theater);
How the World Began (Women's Project);
Him (Primary Stages). Regional: includes T
he Wake of Jamey Foster, The Rivals (Hartford Stage);
School for Wives (Yale Repertory Theatre);
Henceforward (Alley Theatre);
Bus Stop (Huntington Theatre Company). Film: over 75 films including
Return of the Secaucus 7, The Ref, Only You, Fool's Gold, She's Out of My League, The Lucky One. TV: “Empire Falls,” “Recount” (HBO); “Storm of the Century” (ABC mini-series); extensive guest appearances on a wide variety of episodics.
Karl Baker Olson
Joe Fisher
Regional: Huntington Theatre, Commonwealth Shakespeare Company, Merrimack Repertory Theatre, Boston Playwrights’ Theatre, SpeakEasy Stage, New Repertory Theatre, Actors’ Shakespeare Project, The Children’s Theatre Company. International: FIT Bogotá, Nissay Theatre Festival. Film:
East of Acadia (upcoming). Television: “Boardwalk Empire.” Training: Boston University and LAMDA.
Will Rogers
Aubrey Piper
Off-Broadway:
The Mound Builders (Signature Theatre),
As You Like It (Shakespeare in the Park),
The Submission (MCC),
Unnatural Acts (Classic Stage Company, Drama Desk nomination),
When the Rain Stops Falling (Lincoln Center Theater),
Creature (Page 73),
Chair (Theatre for a New Audience),
From Up Here (Manhattan Theatre Club),
100 Saints You Should Know (Playwrights Horizons),
Columbinus (New York Theatre Workshop). Regional:
Our Town, Not Waving (Williamstown Theatre Festival);
This Is Our Youth (Repertory Theatre of St. Louis);
dark play (Humana Festival);
Mary's Wedding (ATL). Films:
The Bay; Nancy Please (Official Selection TriBeCa Film Festival);
Happy New Year; Certainty. TV: “Law & Order(s),” “Blue Bloods,” “Unforgettable,” “Gossip Girl.” Proud graduate of North Carolina School of the Arts.
Marc Vietor
Mr. Rogers
Westport Country Playhouse:
The Circle. Broadway:
Present Laughter, The Molière Comedies. Off-Broadway:
Grey Gardens (Playwrights Horizons);
Two Gentlemen of Verona (The Public Theater);
Edward The Second, The Revenger's Tragedy (Red Bull Theater);
What The Public Wants (Mint Theater);
The Libertine (Theatre Row);
The Merchant of Venice, The Jew of Malta, King John (Theater for a New Audience). Regional:
She Loves Me (Williamstown Theatre Festival),
Company (Kennedy Center),
West Side Story (European Tour),
Arms and the Man (Virginia Stage),
Misia (Ravinia Music Festival),
Lady in the Dark (Prince Music Theatre),
My Wonderful Day (Two River Theatre),
Mr. Marmalade (South Coast Repertory),
Rough Crossing (The Old Globe). Film:
The Asylum Seekers. Television: “Law & Order.”
George Kelly (1887-1974)
Playwright
George Edward Kelly was an American playwright, screenwriter, director, and actor. He began his career in vaudeville as an actor and sketch writer. He became best known for his satiric comedies, including
The Torch-Bearers (1922) and
The Show-Off (1924). He also wrote
Craig’s Wife (1925) for which he won the Pulitzer Prize. His last Broadway play was
The Fatal Weakness (1946). Born in Philadelphia, the second of ten children, he was the brother of American businessman and Olympic champion sculler John B. Kelly, Sr., and the uncle of actress Grace Kelly.
Nicholas Martin
Director
Westport Country Playhouse:
The Year of Magical Thinking, The Circle, A Cheever Evening, The Substance of Fire. Broadway:
Vanya and Sonia and Masha and Spike, Present Laughter, Butley, Match, Hedda Gabler, The Rehearsal, You Never Can Tell. Off-Broadway: Christopher Durang’s
Why Torture Is Wrong, and the People Who Love Them (The Public Theater);
Observe the Sons of Ulster… (Drama Desk Award nomination),
The Time of the Cuckoo, Chaucer in Rome, Saturn Returns, Paul Rudnick’s
The New Century (Lincoln Center Theater);
Fully Committed (Vineyard Theatre, Cherry Lane Theatre);
Full Gallop (Manhattan Theatre Club, West Side Arts);
Betty’s Summer Vacation (Obie Award, Drama Desk Award nominations),
Sophistry (Playwrights Horizons);
Bosoms and Neglect (Signature Theatre). Mr. Martin’s numerous regional credits include
Pygmalion, Macbeth (The Old Globe);
She Stoops to Conquer (McCarter Theatre);
The House of Blue Leaves (Mark Taper Forum);
Dead End (Ahmanson Theatre);
The Verizon Play (Actors Theatre of Louisville); and
My Wonderful Day (Two River Theater Company). Mr. Martin is the former artistic director of the Williamstown Theatre Festival and of Boston’s Huntington Theatre Company. During his tenures at both theaters, he directed numerous classical and new plays.
Alexander Dodge
Scenic Design
Westport Country Playhouse:
The Year of Magical Thinking, The Circle, The Archbishop’s Ceiling. Broadway:
Present Laughter (Tony Award nomination),
Old Acquaintance, Butley, Hedda Gabler. West End:
All New People. Off-Broadway:
Rapture Blister Burn, Maple and Vine (Playwrights Horizons);
All New People, Trust, The Water’s Edge (Second Stage);
The Understudy (Roundabout Theatre Company);
Measure for Pleasure (Public Theater);
Observe the Sons of Ulster… (Lortel Award),
Chaucer in Rome (Lincoln Center Theater). Regional: Alley Theatre, Arena Stage, CENTERSTAGE, Hartford Stage, Huntington Theatre Company, Guthrie Theater, La Jolla Playhouse, Long Wharf Theatre, Old Globe Theatre, Mark Taper Forum, Shakespeare Theatre DC, Williamstown Theatre Festival, Yale Repertory Theatre. Opera:
Il Trittico (Deutsche Oper Berlin),
Cosi Fan Tutte (Minnesota Opera),
Der Waffenschmied (Munich),
Der fliegende Holländer (Würzburg),
Lohengrin (Budapest). Training: Yale University.
Gabriel Berry
Costume Design
Westport Country Playhouse:
The Circle. Gabriel Berry's work with Nicholas Martin includes the world premiere of Christopher Durang's
Why Torture Is Wrong, and the People Who Love Them (The Public Theater), plus
Burn This and
The House of Blue Leaves (Mark Taper Forum). Specializing in the production of new work, she has designed costumes for premieres of the works of theater artists ranging from Charles Ludlam and Mabou Mines to Samuel Beckett and Harold Pinter to John Guare and Maria Irene Fornes. Notable recent theater premieres: Richard Foreman's
Old Fashioned Prostitutes, Stew and Heidi's
The Total Bent, Brandon Jacobs-Jenkins'
Neighbors (The Public Theater); Lameece Issaq's
Food and Fadwah (New York Theater Workshop). Recent opera premieres: John Adams and Peter Sellars'
A Flowering Tree, Osvaldo Golliov's
Ainadamar, Douglas Cuomo's
Arjuna's Dilemma. Awards include an Obie, a Bessie, and a silver medal at the Prague Quadrennial for her contribution to experimental theater.
Philip Rosenberg
Lighting Design
Westport Country Playhouse:
The Year of Magical Thinking, The Circle, I Do! I Do! Off-Broadway credits include
Cactus Flower. Regional credits include Kennedy Center, La Jolla Playhouse, Ford's Theatre, Guthrie Theater, The Old Globe, TheatreWorks, Hartford Stage, Huntington Theatre Company, Chicago Shakespeare Theater, Manhattan School of Music, Portland Stage Company, TACT, Barrington Stage Company, Williamstown Theatre Festival, Dorset Theatre Festival, Bay Street Theatre, Shakespeare Theatre Company, Two River Theater Company, and George Street Playhouse. Over the past 12 years Philip has served as associate lighting designer on over 35 Broadway plays and musicals.
Drew Levy
Sound Design
Westport Country Playhouse:
The Year of Magical Thinking, The Circle. Broadway:
Chaplin, The Importance of Being Earnest, Present Laughter. Off-Broadway:
Why Torture Is Wrong, and the People Who Love Them, Emergence-See!, Rainbow Kiss, Dutchman (AUDELCO Viv nomination),
The Mistakes Madeline Made. Regional:
Pygmalion (Old Globe);
A Month in the Country, Elephant Man, Last of the Red Hot Lovers, She Stoops to Conquer, Our Town, A Funny Thing Happened on the Way to the Forum, Quartermaine's Terms, She Loves Me, The Corn Is Green (Williamstown Theatre Festival);
Pirates!, The Corn Is Green, She Loves Me, Present Laughter, The Cherry Orchard, The Sisters Rosensweig, and
Sonia Flew among others (Huntington Theatre Company); and shows at theaters such as Long Wharf Theatre, Arena Stage, Two River Theater, and McCarter Theatre. Associate and Production credits:
Pippin; Lucky Guy; Ghost; One Man, Two Guvnors; Rock of Ages; That Championship Season; Everyday Rapture (Drama Desk Award nomination);
The 39 Steps (Tony Award); and the Metropolitan Opera's 125th Anniversary Gala.
Karin White
Props Master
Opera:
La Perichole, Moses in Egypt, Turn of the Screw, Powder Her Face, Orpheus, Cosi Fan Tutti, A Quiet Place, Don Giovanni, Margaret Garner, Semele, Cappriccio, Daphne, Alcina, Il Trittico, Lilith, The Flying Dutchman, Rinaldo, Roberto Deveraux (New York City Opera);
Armide, Hansel and Gretel, Monsieur Choufleuri (Juilliard Opera Center). Off-Broadway:
Don't Go Gentle, Carrie, Wild Animals You Should Know, The Submission (MCC Theatre).
Matthew Melchiorre
Resident Production Stage Manager
Westport Country Playhouse:
The Dining Room; A Raisin in the Sun; Harbor; Tartuffe; The Year of Magical Thinking; Into the Woods; Twelfth Night; Suddenly Last Summer; Lips Together, Teeth Apart; Beyond Therapy; The Diary of Anne Frank; Happy Days; She Loves Me; That Championship Season; Tick, Tick...Boom!; Around the World in 80 Days; A Holiday Garland; The Pavilion. Broadway: T
he Light in the Piazza, Coram Boy, Hamlet, Curtains, Monty Python’s Spamalot, Wicked, The Lion King, All Shook Up, The Frogs. Off-Broadway:
Black Tie, Buffalo Gal, Happy Now?, Shipwrecked! An Entertainment..., White Chocolate, Open Heart, The Architecture of Loss. Other New York:
Show Boat In Concert (Carnegie Hall). Regional:
January Joiner (Long Wharf Theatre),
Honk! (Two River Theater Company),
Into the Woods (CENTERSTAGE).
Amanda Spooner
Assistant Stage Manager
Westport Country Playhouse:
Into the Woods; Twelfth Night, or What You Will; Lips Together, Teeth Apart; She Loves Me. Off-Broadway:
Luck of the Irish, Mr. Joy (Lincoln Center);
Black Tie (Primary Stages);
Ink’d (Playwrights Realm);
Ameriville (The Public Theater);
Happy Now? (Primary Stages);
NEWSical the Musical (Village Theatre). Regional:
Marie Antoinette (A. R. T./Yale Repertory Theatre);
Death of a Salesman, Happy Now?, Boleros for the Disenchanted (Yale Repertory Theatre);
Les Liaisons Dangereuses, Annie, Evita (Northern Stage);
Measure for Measure, The Winter’s Tale, Holiday (Elm Shakespeare). TV: “The Academy Awards.” MFA, Yale School of Drama.
Tara Rubin Casting
Casting
Westport Country Playhouse:
A Raisin in the Sun, Harbor, Into the Woods. Broadway:
The Heiress; Scandalous: The Life and Trials of Aimee Semple McPherson; Ghost; One Man, Two Guvnors (US Casting);
Jesus Christ Superstar (US Casting);
Hugh Jackman: Back on Broadway; How to Succeed..; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Farnsworth Invention; Young Frankenstein; The Little Mermaid; Mary Poppins; My Fair Lady; Pirate Queen; Les Misérables; Spamalot; Jersey Boys; …Spelling Bee; The Producers; Mamma Mia!; The Phantom of the Opera; Contact. Off-Broadway:
Love, Loss, and What I Wore; Old Jews Telling Jokes. Regional: Yale Repertory, La Jolla Playhouse.
Tara Rubin CSA, Merri Sugarman CSA,
Eric Woodall CSA, Kaitlin Shaw CSA
Lindsay Levine CSA, Scotty Anderson
