North American Dialect Coach: Hamilton. Broadway: 1776; Macbeth; Tina—the Tina Turner Musical; The Great Society; Slave Play; What the Constitution Means to Me; Once on this Island; Waitress; Finding Neverland. […]
Read MoreJohn D. Alexander’s recent designs include: Detroit 67 (TheatreSquared); The House of the Negro Insane (Contemporary American Theatre Festival); Crying on Television (Everyman Theatre); Daphne’s Dive (Signature Theatre); The Elaborate Entrance of Chad Deity (Theatre Squared); Quamino’s Map (Chicago Opera Theatre); Mary’s […]
Read MoreHeidi Leigh Hanson is a costume designer whose most recent projects include: Thurgood, Dial M for Murder, and See Monsters of the Deep, at White Heron Theatre Company; and Retraction […]
Read MoreJason Ardizzone-West is an Emmy award winning set and production designer whose work spans the genres of live theater, tv/film, concert design and architecture. Recent and notable projects include Florence […]
Read MoreMaiko Matsushima is a Philadelphia-based costume, set, visual and installation artist. Her works make luminous to the naked eye what might otherwise be invisible or taken for granted. A proud […]
Read More« BACK TO 4000 MILES Tony Nominee for Best Scenic Design of a Musical for A Strange Loop. Broadway: A Strange Loop (Lyceum Theater); Topdog/Underdog (Golden Theater); Trouble in Mind (Roundabout). Off-Broadway: Shhhh (Atlantic); one in two (The […]
Read MoreKevin Jinghong Zhu (he/him) is a New York-based stage manager. His past credits at WCP include: Dial M for Murder, Kim’s Convenience, Paris, As Bees in Honey Drown, and Tribes. […]
Read MoreBibi Mama is an actor, director and dialect coach based in Los Angeles, California. As a dialect coach, recent projects include Macbeth and Detroit ’67 at The University of San […]
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