Rob Milburn & Michael Bodeen. Westport Country Playhouse: A Flea in Her Ear (Fitz Patton and Michael Bodeen). Resident Ensemble Players (REP) at the University of Delaware: Starter Pistol, Minor Fantastical Kingdoms (Dir. Mark Lamos); The Crucible, The Seafarer, You Can’t Take It With You, Our Country’s Good.
Broadway credits include music composition and sound for No Man’s Land & Waiting for Godot, Breakfast at Tiffany’s, The Miracle Worker, One Flew Over the Cuckoo’s Nest and The Speed of Darkness; music for My Thing of Love; and sound for Sweat, The Price, Larry David’s Fish in the Dark, This Is Our Youth, Of Mice and Men, Who’s Afraid of Virginia Woolf?, Superior Donuts, reasons to be pretty, A Year with Frog and Toad, Ma Rainey’s Black Bottom, Hollywood Arms, King Hedley II, Buried Child, The Song of Jacob Zulu and The Grapes of Wrath. Off Broadway credits include music and sound for Curse of the Starving Class, The True, Gently Down the Stream, Guards at the Taj, Sticks and Bones, Checkers, Inked Baby, After Ashley, Boy Gets Girl, Red, Space, The Notebooks of Leonardo da Vinci and Marvin’s Room; sound for Happy Talk, Good for Otto, Sweat, The Spoils, Tales of Red Vienna, Brundibar, The Pain and the Itch and Jitney; and music direction and sound for Eyes for Consuela and Ruined. Recent digital plays include Guards at the Taj (Atlantic Theatre), The True and The Spoils (The New Group) and American Clock (Steppenwolf Theatre). They have created music and sound at many of America’s resident theaters (often with Chicago’s Steppenwolf Theatre) as well as the Comedy Theatre in London’s West End, The Barbican Center, the National Theatre of Great Britain, the Cameri Theatre in Tel Aviv, the Subaru Acting Company in Japan and festivals in Toronto, Dublin, Galway, Perth and Sydney. Please visit milbomusic.com